An Individuals Centipede II (Full Sequence): Film Review

NEW You'll be able to - Since the author/director of one of the sickest horror films ever given a mainstream release, Tom Six influences unenviable position of requiring to top themselves having its follow-up. He handles to get this done -- no less than if this involves violence, gore and the entire body count -- but whatever medieval originality the initial Human Centipede possessed is altogether missing in this sorry follow-up.our editor recommends'The Human Centipede 2': Just what the Experts Are SayingFull Trailer For 'Human Centipede 2' Slithers Online (Video) Much like Wes Craven eventually did within the Nightmare on Elm Street series, Six went all meta-theatrical here, positing the initial was, you understand, merely a movie, and what you're seeing its actual factor. The dubious primary character is Martin (Laurence R. Harvey), a grossly corpulent, asthmatic Brit who lives along with his dotty mother (Vivien Bridson) and works just like a security officer within an undercover security garage. It calculates that Martin's favorite movie might be a persons Centipede, they watches over and over around the small television. No matter the lame efforts of his ineffectual counselor (Bill Hutchens), it's apparent that Martin goes postal. After dispatching his mother by bashing in their skull and propping her up with an intimate meal within the dining area table - Norman Bates, eat your heart out - he continues a murderous rampage, dispatching his sufferers in rather unimaginative fashion with guns, knives and blunt objects. His primary goal is always to one-in the mad investigator who created the infamous titular development of the extremely first film. Compared to that finish, he hogties twelve sufferers inside an abandoned warehouse. But missing his inspiration's surgical capabilities, he they turn to an very low-tech approach -- binding his sufferers mouth to anus -- that's none-the-less disgusting. In the wan work for balance brains, one of the unfortunates is Ashlynn Yennie, the actress who carried out a corner finish in the human centipede inside the first film. Acquired within the airport terminal terminal by Martin beneath the guise from the audition with Quentin Tarantino, she notifies him, in typical actor-speak: "I used to be attracted for the film because of the medical aspect." Furthermore to referencing themselves with copious clips from his earlier effort, Six provides plenty of stomach-churning sequences, for instance Martin knocking out someone's teeth one at a time getting a hammer and also the other which will dissuade anybody watching from thinking about natural having a baby. Unlike the first, which was in vibrant color, the follow-up is shot such dark black-and-white-colored that the couple of from the images are hardly noticeable. Alas, most of them are. Opens March. 7 (IFC Evening time) Production company: Six Entertainment. Cast: Ashlynn Yennie, Laurence R. Harvey, Vivien Bridson, Bill Hitchens. Director/script: Tom Six. Producers: Ilona Six, Tom Six. Executive producer: Ilona Six. Director of photography: David Meadows. Production designer: Thomas Stefan. Costume designer: Harried Thompson. Music: James Edward Barker. Editor: Nigel P Hond. No rating, 88 minutes. An Individuals Centipede 2

NBCU Int'l taps Latam mind

Bettsteller Ken Bettsteller is joining NBCUniversal Intl. as controlling director of Latin America for Universal Systems Intl. as the organization continues the integration of their four worldwide TV procedures right into a single infrastructure.Located in Miami, Bettsteller will are accountable to Belinda Menendez, prexy of worldwide TV distribution and also the Universal Systems wing. He formerly labored in private equity finance, building commercial and digital methods for entertainment and education companies. Before he had stints at E! Entertainment Television, News Corp. and Last Century Fox, where he handled worldwide pay TV distribution as executive Vice president.NBCUniversal also named its integrated territory leaders. They're: Maxim Mikhailov, controlling director of worldwide TV, Russia Carolyn Stalins, m.d. of worldwide TV, France Maria Sanchez-Munoz, m.d. of worldwide TV for The country and Portugal and Marwen Helayel, m.d. of worldwide TV for that Middle East, A holiday in greece and Poultry.All will prove to add oversight of U Systems additionally for their TV distribution duties. Contact Bobbie Whiteman at bobbie.whiteman@variety.com

Starz Renews Kelsey Grammer's 'Boss' Before Drama's Premiere

Kelsey Grammer's Boss won't premiere until March. 21, but Starz Entertainment has bought a ten-episode second season.our editor recommendsKelsey Grammer: Using the YearsFall TV's 12 Most Anticipated ShowsRelated Subjects•Kelsey Grammer The Lionsgate Television-produced series, which will begin with eight episodes, centers onChicago Mayor Tom Kane (Grammer), who holds sway over nearly all things in his city. When confronted with an awful secret that expects to topple his energy, his true character is revealed: it's not souped up that drives Tom Kane, but his nervous about losing it. PHOTOS: Kelsey Grammer: With time "The first time we read Farhad [Safinia's] script, we understood we required to make Boss,'" Starz Leader Chris Albrecht mentioned in the statement. "With each episode, the story elevated stronger, as well as the cast ongoing to exhibit in breakthrough performances... For that audiences, we felt it crucial that you start concentrating on the next season as rapidly as you possibly can.Inch VIDEO: 'Boss' Start Searching: Kelsey Grammer's Serious for Starz Added Lionsgate Television Group leader Kevin Beggs, "This early election of confidence out of your partners at Starz is extremely satisfying and reflects the tremendous work of people connected with Boss on sides from you. Kelsey's dramatic submit these acer notebook computers a effective and radical departure from his previous television roles which we can not watch out for audiences being attracted into his fascinating world." Output of the drama's second several weeks are going to start noisy . 2012. Related Subjects Kelsey Grammer Starz! Boss

Callas bio in tune with Kiwi helmer

Caro Kiwi writer-director Niki Caro ("Whale Rider") has inked to pen and helm "Callas," a biopic about the late Greek opera star, Maria Callas, produced by the Rome-based De Angelis Group.A first draft of the script, based on bestselling biography "Too Proud, Too Fragile" by Alfonso Signorini, is set to be delivered to De Angelis by mid-October. Signorini will take a writing credit on the pic. The plan is to start principal photography early next year.The bio, based on Callas' letters, is being touted by producers as the most in-depth book about the life of the diva of divas, the most recognized female opera star of the 20th century. Callas died at 53 after a stormy career and a tempestuous love life epitomized by her affair with Greek shipping magnate Aristotle Onassis.The deal with Caro was brokered by ICM. Executive producers are De Angelis Group prexy Guido De Angelis and De Angelis managing director Andrea Zoso. Nicola De Angelis will serve as producer. Contact Nick Vivarelli at nvivarelli@gmail.com

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Amen

A Kim Ki-duk production. (Worldwide sales: Finecut Co, Seoul.) Created, directed, written, edited by Kim Ki-duk.With: Kim Ye-na, Kim Ki-duk.Publish-millennial love is full of fear and also the lack of ability to speak, states Kim Ki-duk's "Amen," and when that sounds cliched, then so whether it is. Meandering and oddly lethargic, pic boasts glaring narrative incongruencies and willful abstractions that are not buttressed by sense at all of intellectual coherence. Consequently, this low-budget fable in regards to a Korean lady adrift in Europe descends further in to the solipsism of Kim's recent "Arirang," recommending the acclaimed helmer has likewise lost his way. Kim's own conjecture in a San Sebastian press conference that, aside from diehard fans, non-fest auds are unlikely to exhibit any interest rates are most likely place-on. An un named Korean girl (Kim Ye-na), without any French and little money, comes to Paris looking for a street painter known as Lee Myung-soo for reasons in the beginning unclear. Finding her method to his home, she's told he's gone to live in Venice. She calls his title out over the roofs, wishing he'll amazingly hear her, and lies lower inside a graveyard (she's attracted towards the solidity and peacefulness of religious statues) before boarding a train in which a mysterious estimate a gas mask makes its way into her carriage, rapes her inside a tunnel and sucks her of her possessions, including her footwear. The lady is offered practically no dialogue, showing her insufficient a voice within this alien culture. Now instructed to walk around in a set of slip-ons and apparently little the worse on her experience, she handles to locate Lee's address, but is told he's attended Avignon. There, after dropping off to sleep inside a area, she energizes to locate her footwear happen to be came back to her. Intriguingly, her attacker can also be her protector. As hermetically sealed because the surreal gas mask that has so largely here, "Amen" is deliberately aimless in the relationship to reality. The multiple credibility defects -- for instance, the masked figure leaves taunting clues in places in which the heroine just is actually passing -- bespeak either utter negligence or auteur arrogance, however in either situation it is the film that suffers. By a degree of the film's most powerful element, Kim Ye-na is compelling as she patters hesitantly around. Instructed to bear the load entirely alone, she registers superbly the how to go about fear, anger, frustration and general vulnerability. But auds is going to be as uncertain as she's about just what's going on. Multiple issues, from losing a feeling of religion to, yes, the viewer as voyeur are discussed but never developed, possibly caused by there getting been no script in position when shooting started. Most probably meant being an homage towards the European region which has feted him for such a long time, pic has Kim Ki-duk carrying his camera around various attractive locations and even getting them effectively to existence using the directness of the tourist video. Several nicely composed frames contrast using the general air of spontaneous artlessness, for example once the girl sits forlornly on some steps like a pigeon slyly eyes her. Seem makes good utilization of ambient noise, rising and falling to mirror the concentration of the nightmare the lady is certainly going through.Camera (color, HD), Kim seem, Kim. Examined at San Sebastian Film Festival (competing), Sept. 17, 2011. Running time: 72 MIN. Contact the range newsroom at news@variety.com

Lionsgate States It Sees Deficits From Conan The Barbarian, Warrior, And Abduction

People who follow box office results carefully won’t be blown away, but Lionsgate handled to obtain official today: Conan the Barbarian, Warrior and Abduction were such stiffs the organization states inside an SEC filing it must announce it lost roughly $40M-$50M in earnings for your current quarter. Lionsgate made the unusual forecast in the prospectus to promote 19.2M shares, which originates from its agreement to help billionaire Carl Icahn unload nearly all his holdings within the organization. The arrangement ended Icahn’s effort to get control. Vice Chairman Michael Burns is winding up in traders who might want to buy the shares. Lionsgate stock was unchanged in mid-daytrading.

'Voz' drowns out competition

As Mexico's top conglom and also the biggest producer of The spanish language-language content on the planet, Televisa rarely makes news by beating out its only rival, Azteca, at rankings for any new show. With "La Voz," a singing competition reveal that, like NBC's hit "The Voice," is dependant on a format from Nederlander shingle Talpa, Televisa trounced Azteca's lengthy-running musical competition "La Academia" having a debut on Sept. 11 rating of 28.2/47.1, beating "Academia's" 9.6 rating/17 share. The Sept. 18 "Voz" increased the space having a 30.5 rating/50.8 share, a lot more than tripling its rival. Released in 2002, "Academia" -- a mix between "The American Idol ShowInch and "Your Government" -- rapidly increased right into a phenom but takes hits for deficiencies in innovation in the format and deference to scripted controversies over musical ability. Contact Variety Staff at news@variety.com

Tyler Labine Takes the Lead in 'Tucker and Dale vs. Evil.'

Tyler Labine Takes the Lead in 'Tucker and Dale vs. Evil.' By Jenelle Riley September 22, 2011 Tyler Labine in "Tucker and Dale vs. Evil" Tyler Labine may not yet be a household name, but he's a hero at Comic-Con. The actor has most recently been seen helping to destroy the human race as James Franco's assistant in "Rise of the Planet of the Apes" and stealing scenes in "A Good Old Fashioned Orgy." And he admits that when most people spot him, they struggle with his name. "I'm 'That Guy,' " Labine explains. "That's what most people call me, and I'm fine with that. The exception is Comic-Con, where people are like, 'Oh, my God, you're Tyler Sean Labine!' I'm like, 'You know my full name? This is great! I'm moving to San Diego!' "Labine's following can be largely credited to his ongoing work in the sci-fi genre. One of his first jobs was on an episode of "The X-Files," and he starred on the cult TV shows "Invasion" and "Reaper." The latter has been perhaps his most recognizable role to date; as slow-witted but lovable sidekick Sock, Labine somehow made a familiar character fresh and lovable. He brings those same qualities to his role as a good-natured hillbilly in "Tucker & Dale vs. Evil," a comedy from director Eli Craig that manages to parody and pay homage to the horror genre (opening Sept. 30). In the film Alan Tudyk plays Tucker to Labine's Dale, and the two friends just want to enjoy a nice vacation at their cabin in the woods. A few simple misunderstandings cause a group of college students to think the two are trying to kill them, and in their attempts to "save" themselves, disaster ensues. It's a bloody good time, and the pairing of Labine and Tudyk is a geek's dream come true. "Last Comic-Con, I was with Alan," Labine notes. "And if I'm a hero, Alan is a superhero. People just love him; they flip out over him. And rightfully sohe's a fantastic actor."Below, four more things you might not know about Labine.1. He got an early start. Audiences might not realize Labine has been a professional actor since he was 9. Growing up in Ontario, Canada, Labine and his two brothers would run around making movies with their dad's Betacam. "One day my parents asked if we wanted to do this for real," Labine recalls. "We were like, 'What do you meanwe are doing this for real!' But it was actually very intuitive of them to see their kids needed that creative outlet." All three signed up with a Toronto agency and were soon going on auditions. But Labine admits he never really thought of acting as a feasible career. "I thought I would be a teacher; I think my eventual goal was to be the principal of my old high school," he says. While in college, he landed the teen comedy-drama "Breaker High," on which he co-starred opposite future superstar Ryan Gosling. But it wasn't until he was flown to Los Angeles to test for a pilot that he started to realize he had what it took to be a working actor. "I didn't get that job, but I was brought in on another one and ended up booking it. Suddenly it didn't seem like a pipe dream to be a Canadian boy working in L.A. Once I actually moved to L.A., I realized everyone is Canadianwhy didn't I do this sooner?" Labine called his experience working on that short-lived first show, aptly titled "Dead Last," a boot camp for doing American series. "I continued to book work, it kept happening, and I've been grinding my ass off for 12 years now." 2. He has been on TV for the last eight yearsjust different shows. Labine is about to shoot his eighth pilot, "Guidance," which he is co-producing with Ryan Reynolds for Fox. Out of his seven previous pilots, six went to air, but "Reaper" was the only recent one to last more than a season. "My friends make jokes about me being like Ted McGinley," Labine says of the actor who has been unkindly dubbed a "show killer." He adds, "People love to point a finger, especially on the Internet, so that can be frustrating. But I really didn't think of it that way. I was like, 'Man, I'm so lucky I get to keep doing more work!' " He admits to wondering why certain programs didn't quite work. "With 'Invasion,' we had good ratingsI don't know what happened there. And 'Reaper,' I think it was plain and simple: Dawn Ostroff didn't like the show. It's just so out of your hands, and as an artist you feel like a used tissue at the end of the day. It's hard when you put a year of good work into something and someone at the top says no, and they pull your show's title off a bulletin board and chuck it in the trash."3. He's moving from sidekick to star. Though he has played a lot of sidekicks over the years, Labine says he has never felt his roles were two-dimensional. His secret? "My character's backstory is that everything is about me," he says with a laugh. "Not out of my own ego, but from my character standpoint. I tend to make them self-absorbed, but they'll come through in a clinch." Labine says he has recently been asked to play more leading roles. "I think there's this new kind of character; it's a sidekickslashleading man role. People like Zach Galifianakis and Seth Rogen have been really successful in those roles. You don't have to be this square-jawed, chiseled, deep-voiced Superman; you can be funny and normal and put in the leading man category." He acknowledges that it doesn't work the same way for women, and he says that in recent films he has been paired with "disproportionately hot" women. "My biggest concern with 'Tucker & Dale' was when I had to kiss Katrina Bowden," he reveals. "I told Eli, 'I don't think people will want to see me kiss her; she's 21 and gorgeous, and I'm this big hairy guy.' He told me to trust him, and the first time I watched it at Sundance, people cheered!" It helps that, as played by Labine, Dale is completely adorable. "I tried to play everything like Dale was just some big dumb animal. I didn't know that was a formula for women thinking I'm sweet. I've got to start playing dumb more often."4. He assumed he would be cast as Tucker, not Dale. Precisely because Dale is more of a leading mancomplete with a romantic story lineLabine assumed Craig wanted him to play Tucker. "When he told me he wanted me to be Dale, I got really excited because it was a very different role for me," Labine admits. "A lot of people might not think it's a nuanced, subtle performance, but Eli had to strip away a lot of my shtick." Labine was the first actor on board, and he says he and Craig truly took a leap of faith with each other. "He knew me from 'Reaper' and told me he saw something underneath my bravado that looked really sweet and innocent. He really took a chance on me. And I trusted him. We both took a chance on each other." Tyler Labine Takes the Lead in 'Tucker and Dale vs. Evil.' By Jenelle Riley September 22, 2011 Tyler Labine in "Tucker and Dale vs. Evil" Tyler Labine may not yet be a household name, but he's a hero at Comic-Con. The actor has most recently been seen helping to destroy the human race as James Franco's assistant in "Rise of the Planet of the Apes" and stealing scenes in "A Good Old Fashioned Orgy." And he admits that when most people spot him, they struggle with his name. "I'm 'That Guy,' " Labine explains. "That's what most people call me, and I'm fine with that. The exception is Comic-Con, where people are like, 'Oh, my God, you're Tyler Sean Labine!' I'm like, 'You know my full name? This is great! I'm moving to San Diego!' "Labine's following can be largely credited to his ongoing work in the sci-fi genre. One of his first jobs was on an episode of "The X-Files," and he starred on the cult TV shows "Invasion" and "Reaper." The latter has been perhaps his most recognizable role to date; as slow-witted but lovable sidekick Sock, Labine somehow made a familiar character fresh and lovable. He brings those same qualities to his role as a good-natured hillbilly in "Tucker & Dale vs. Evil," a comedy from director Eli Craig that manages to parody and pay homage to the horror genre (opening Sept. 30). In the film Alan Tudyk plays Tucker to Labine's Dale, and the two friends just want to enjoy a nice vacation at their cabin in the woods. A few simple misunderstandings cause a group of college students to think the two are trying to kill them, and in their attempts to "save" themselves, disaster ensues. It's a bloody good time, and the pairing of Labine and Tudyk is a geek's dream come true. "Last Comic-Con, I was with Alan," Labine notes. "And if I'm a hero, Alan is a superhero. People just love him; they flip out over him. And rightfully sohe's a fantastic actor."Below, four more things you might not know about Labine.1. He got an early start. Audiences might not realize Labine has been a professional actor since he was 9. Growing up in Ontario, Canada, Labine and his two brothers would run around making movies with their dad's Betacam. "One day my parents asked if we wanted to do this for real," Labine recalls. "We were like, 'What do you meanwe are doing this for real!' But it was actually very intuitive of them to see their kids needed that creative outlet." All three signed up with a Toronto agency and were soon going on auditions. But Labine admits he never really thought of acting as a feasible career. "I thought I would be a teacher; I think my eventual goal was to be the principal of my old high school," he says. While in college, he landed the teen comedy-drama "Breaker High," on which he co-starred opposite future superstar Ryan Gosling. But it wasn't until he was flown to Los Angeles to test for a pilot that he started to realize he had what it took to be a working actor. "I didn't get that job, but I was brought in on another one and ended up booking it. Suddenly it didn't seem like a pipe dream to be a Canadian boy working in L.A. Once I actually moved to L.A., I realized everyone is Canadianwhy didn't I do this sooner?" Labine called his experience working on that short-lived first show, aptly titled "Dead Last," a boot camp for doing American series. "I continued to book work, it kept happening, and I've been grinding my ass off for 12 years now." 2. He has been on TV for the last eight yearsjust different shows. Labine is about to shoot his eighth pilot, "Guidance," which he is co-producing with Ryan Reynolds for Fox. Out of his seven previous pilots, six went to air, but "Reaper" was the only recent one to last more than a season. "My friends make jokes about me being like Ted McGinley," Labine says of the actor who has been unkindly dubbed a "show killer." He adds, "People love to point a finger, especially on the Internet, so that can be frustrating. But I really didn't think of it that way. I was like, 'Man, I'm so lucky I get to keep doing more work!' " He admits to wondering why certain programs didn't quite work. "With 'Invasion,' we had good ratingsI don't know what happened there. And 'Reaper,' I think it was plain and simple: Dawn Ostroff didn't like the show. It's just so out of your hands, and as an artist you feel like a used tissue at the end of the day. It's hard when you put a year of good work into something and someone at the top says no, and they pull your show's title off a bulletin board and chuck it in the trash."3. He's moving from sidekick to star. Though he has played a lot of sidekicks over the years, Labine says he has never felt his roles were two-dimensional. His secret? "My character's backstory is that everything is about me," he says with a laugh. "Not out of my own ego, but from my character standpoint. I tend to make them self-absorbed, but they'll come through in a clinch." Labine says he has recently been asked to play more leading roles. "I think there's this new kind of character; it's a sidekickslashleading man role. People like Zach Galifianakis and Seth Rogen have been really successful in those roles. You don't have to be this square-jawed, chiseled, deep-voiced Superman; you can be funny and normal and put in the leading man category." He acknowledges that it doesn't work the same way for women, and he says that in recent films he has been paired with "disproportionately hot" women. "My biggest concern with 'Tucker & Dale' was when I had to kiss Katrina Bowden," he reveals. "I told Eli, 'I don't think people will want to see me kiss her; she's 21 and gorgeous, and I'm this big hairy guy.' He told me to trust him, and the first time I watched it at Sundance, people cheered!" It helps that, as played by Labine, Dale is completely adorable. "I tried to play everything like Dale was just some big dumb animal. I didn't know that was a formula for women thinking I'm sweet. I've got to start playing dumb more often."4. He assumed he would be cast as Tucker, not Dale. Precisely because Dale is more of a leading mancomplete with a romantic story lineLabine assumed Craig wanted him to play Tucker. "When he told me he wanted me to be Dale, I got really excited because it was a very different role for me," Labine admits. "A lot of people might not think it's a nuanced, subtle performance, but Eli had to strip away a lot of my shtick." Labine was the first actor on board, and he says he and Craig truly took a leap of faith with each other. "He knew me from 'Reaper' and told me he saw something underneath my bravado that looked really sweet and innocent. He really took a chance on me. And I trusted him. We both took a chance on each other."

'X Factor' Judge Paula Abdul on Simon Cowell: 'I Obtain a Remove of Seeing Him Happy' (Q&A)

Like Siegfried and Roy, Penn and Teller, Daryl Hall and John Oates, and a variety of popular culture duos, Paula Abdul and Simon Cowell belong together -- a minimum of on television. How else do explain eight many years of record-breaking rankings on America's favorite singing competition show, The American Idol Show?our editor recommends'X Factor' Producer Fires Back at 'Idol' Creator Simon Fuller's Suit (Exclusive)'The X Factor': Cast Weighs in at In how Show Handled Cheryl Cole's Exit'The X Factor' Premiere: Simon Cowell Won Over by Youthful Rachel Crows Song, Emotional Backstory (Video) Simon Cowell's 'The X Factor' Premieres Viewer Responses MixedRelated Subjects•The X Factor The 2 separated ways after season 8, when Abdul made her exit, however the energy couple is in a large way using the premiere of X Factor (Wednesday and Thursday on Fox). What goes on since they have graduated towards the major leagues, where auditions are locked in arenas and there is no limit for participants youthful and old? A lot of same, fortunately! And just how we have skipped it. PHOTOS: Behind the curtain: THR's 'X Factor' Cover Shoot In outtakes in the Hollywood Reporter's August cover story, Abdul recounts her Idol exit and fills us in on various X Factor shenanigans, not every one of which entail the guy America likes to hate. The Hollywood Reporter: You left American Idolamid some debate including your salary. If everything such as the money was exactly the same, can you have remained with Idol or still switched to X Factor? Paula Abdul: I'd say X Factor because I believe change is definitely good. I have didn't have one project for nine years, as well as for someone much like me, who's been a director, choreographer after which a artist, I have had multiple reinventions if this involves career pathways. It seems sensible to test different things, however it does not take from the love which i had with Idol. THR: Once you tweeted that you simply were departing Idol, how have you believe day? Abdul: Great. It had not been something which I simply did on impulse. It had been carefully considered. Everybody was nervous about this, although not me. I have been very fortunate, but I am no stranger to needing to begin again. Actually, I've found it challenging -- when nobody needs you to definitely do much, you could surprise them. I have always supported myself because I have didn't have anybody say, "In my opinion in your soul, Laker Girl who's five-feet-two You are likely to be a global famous pop star and choreographer!" THR's Complete 'X Factor' Coverage I have always rose unconventional steps to success and [departing Idol] would be a great chance that i can have a look at where my passions lie. Where do I wish to focus my creativeness and powers? And That I may take a while off, that we could never do before. A lot of people around me thought I had been insane. They stated, "You may never get another job," and that i reminded them that I have had durability for nearly two decades within this business. It is sometimes complicated. So that as kind like me, I am certainly not weak. THR: How lengthy have you debate whether or not to remain at Idol? Abdul: I virtually decided following the finale. It might took a great deal that i can use another direction. The time had come that i can move ahead. THR: When did Simon Cowell first approach you concerning the X Factor and that which was that conversation like? Abdul: We spoken immediately after I quit. He could not think that I really made it happen -- like he was shocked. And That I stated, "I said I'd. I can not allow you to lower to be totally unpredicted." Therefore we remained in contact, however i had several things I needed to complete, like I needed to visit. Initially, the show was designed to happen last year so when it did not, I needed to begin my very own dance show. I'd it at the back of my thoughts when it's designed to happen, it'll happen. Simon and that i wound up as being a great duo on tv. The formula was there -- amazing inside a bottle that you simply can't manufacture. It required years to find it. It had been very awkward in the beginning. I'm able to enjoy him and simultaneously be completely irritated with him. It had been great however, you need time away and it is an overall total blessing these couple of years permitted for all of us to breathe. When X Factor premieres, it'll have been 3 years since we last sitting and shot together. Now, it is a entirely unique feeling, experience and situation. I recieve a remove of seeing Simon happy. He's totally in the element. He still annoys me and that i annoy him, but all of us get on well. THR COVER STORY: Exactly what the X Is About? THR: As well as your contract for your CBS dance show would be a hurdle if this came time for you to sign with X Factor, yes? Abdul: I needed to request permission. I loved doing that demonstrate, it had been this kind of enjoyable experience, but we've got clobbered within the time place. THR: When X Factor concert events launch, you will be back in the same soundstage where Idol is shot.... Abdul: It had been exactly the same stage for that dance show, too! The very first couple of occasions there, I'd be banging on my small dressing room door, like, "Open!Inch After which realize, "Wait, this is not my dressing room." I'll have resided more for the reason that studio than inside my home! I have to dominate 1 / 2 of Simon's trailer. THR: When Cheryl Cole was making her exit, you had been kind of pulled in it because individuals thought the two of you did not have good chemistry. Your ideas on that? Abdul: It had been an overall total joke. I was buddies, and I have only had lovely encounters together with her. My whole factor is, I'd rather not become involved, however i don't believe anybody should need to go through what she experienced it's totally unfair. Personally i think no shame in stating that. STORY: Simon Cowell to 'X Factor' Hopefuls: Don't Sing These 5 Tunes THR: Let us move onto another minor debate, X Factor's first promo, which appeared to poke fun at Idol... Abdul: Not my idea, but Simon stated I inspired him... I seriously would never know it would be that large an offer. He was wearing a pink sweater and making fun of me. However when it arrived on the scene, it appears Fox was Comfortable with it. THR: Have you watch Idol last season? Abdul: Odds and ends. When there have been 12 left, I acquired to satisfy them and thought immediately, "That Scotty country singer kid will win." I believe Jennifer [Lopez]did a fantastic job. THR: Perhaps you have cried a great deal in the X Factor judges' table? Abdul: Not whatsoever. Nicole [Scherzinger] cries a great deal. It is extremely refreshing. I am happy to not be the sole one. But there have been occasions whenever we were sobbing so difficult, snot was being released because i was so happy for that participants. Q&A: 'The X Factor's' Nicole Scherzinger on First Day as Judge: 'I Can Barf or Say Rock-N-Roll' THR: Made it happen make that a difference getting an active audience there throughout auditions? Abdul: Absolutely. You receive an instantaneous feeling of exactly what the audience is leaning towards. They boo you, but you need to be real using what you are going through. I usually seem like true entertainers really emerge and provide it their all. THR: Here's one in the "are you aware?Inch file: Fellow judge L.A. Reid created the first album? Abdul: He authored my initial hit song. Both of us met at extremely important occasions within our lives, also it was awesome. He's magical. He's a great tastemaker. I really like that guy. Nobody warrants just as much success because he does. STORY: 'The X Factor' Steve Johnson: 6 Things to understand about the Show's Host THR: How have you initially meet? Abdul: I had been choreographing for Comic Relief which R&B group were working nearby and laughing. So these men requested my autograph and stated, "Come pay attention to our stuff after testing." The following day, they reach me and stated, "We are departing we in the future write and convey tunes for you personally.Inch I acquired them their first posting deal along with a look for $100,000. THR: Perhaps you have smacked Simon whatsoever yet? Abdul: Yes I've. He slaps me too. He isn't designed to but he is doing -- around the ass. I simply knock him within the mind. Related Subjects Nicole Scherzinger Paula Abdul Simon Cowell The American Idol Show Antonio L.A. Reid The X Factor

Fall TV Recognition Contest: What Have You Think about New Girl and Memorable?

Poppy Montgomery Did adorkable Zooey Deschanel charm your socks off in Fox's new comedy New Girl? Would you now wish that you simply too had the superpower of the infallible memory like Poppy Montgomery's character in Memorable? Inform us that which you thought - and that which you think about every new series this year. Election: Which fall premieres won you over? Which flopped? Are you going to stay tuned to listen to more spontaneous singing from Deschanel and her merry gang of roommates? (Or are you currently now just tired of Dirty Dancing?) What about CBS' new homicide-fixing assistant - would you like to see her remember everything, each week? Election on New Girl here, and Memorable here. You should also inform your buddies along with other fans to election, too. Return all fall to determine what TVGuide.com customers think about your preferred - and least favorite - new shows. And remain updated to determine the ultimate ratings from the season's most loved and resented debuts. Here's our handy calendar that will help you keep an eye on when you should election.

TV Producer-Turned-Film Director Tony Krantz Sells 8 TV Projects, Including Natalie Portman-Produced Scruples Adaptation

EXCLUSIVE: Four years after Tony Krantz left his TV producing career to focus on feature directing, he is mounting a big push in television with 8 projects set up at various broadcast networks, including a Scruples adaptation at ABC, which he is executive producing with Natalie Portman; a drama set in the NY restaurant world executive produced by chef/restaurateur Mario Batali; and an action drama about a foreign correspondent executive produced by former CNN president Jonathan Klein. The ramped-up small-screen development does not mean a return to TV full-time for Krantz, who helmed 3 features in the past 4 years, including most recently The Big Bang, and has 3 other potential film directing vehicles in the works. Krantz, who was head of primetime packaging at CAA and CEO of Imagine Television before he embarked on a feature directing career, started building his Flame Ventures into an independent TV production company last year when it sold 5 broadcast projects. With the hire of Reece Pearson as head of development, the company has stepped up its TV efforts, selling 8 projects in the past few weeks. Flame is using an indie model similar to that employed by DreamWorks TV where projects are sold directly to the networks and then laid off at the nets’ affiliated studios. At ABC, the company has Scruples 2. It is based on the 1978 novel by Krantz’s mother, Beverly Hills novelist Judith Krantz, who also penned a sequel in 1992. Bob Brush and Mel Harris will write the adaptation and exec produce with Portman, her producing partner Annette Savitch and Krantz. Warner Bros. TV is producing as it has the rights to the property via the 1980 Scruples miniseries starring Lindsay Wagner, which it produced. Also at ABC, Krantz is exec producing The Bakken, a show in the vein of Fargo, which is set in the North Dakota town where a huge oil reserve has been discovered, turning poor farmers into multimillionaires overnight. Josh Pate and Rodes Fishburne are the writers/exec producers. The project will be produced by ABC Studios, but that deal is still being negotiated. Chops, sold to the CW, is described as Felicity in the world of the restaurant business in NY. Feature writer Captain Mauzner (Factory Girl) will write the script and executive produce with Batali and Krantz. At Fox, Krantz has Live Shot Action, an action drama with a journalistic franchise at the center, which centers on an action junkie journalist. James Solomon and Michael Lucas are writing the script and exec producing with Klein. The project is in the process of being laid off at 20th TV. The Fixer at NBC, is based on the life of top NY attorney Edward Hayes. The Universal TV-produced project, which is being redeveloped after being originally set up at NBC last year, is written/exec produced by Wayne Kramer (The Cooler), with Krantz and frequent collaborator, former HBO exec Colin Callender, also exec producing. On the cable side, Flame has mafia drama Emperor in the works at TNT, developed as a potential starring vehicle for Ray Liotta. Feature scribe Jonathan Hensleigh (Armageddon) is writing. At TV Land, the company has Live Talking Girls, a multi-camera comedy set behind the scenes of a View-type daytime talk show, from Designing Women creator Linda Bloodworth. And at Comedy Central, it has single-camera comedy The Bright Side, about an unscrupulous life coach, from writer Chris Bishop, with Dave Koechner producing and potentially starring.

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Lady Gaga, Bono and Usher to Headline Celebration of Bill Clinton

Lady Gaga, U2's Bono and the Edge, and Usher will perform at a bash for President Bill Clinton that Yahoo will stream live over the Internet, the parties are set to announce Tuesday.our editor recommendsUsher: Changing the Face of Charity One Child at a Time Lady Gagas Vogue Cover Released, Additional 60 Minutes Footage LeakedU2's '360' Tour Will Gross $736.1 Million STORY: U2 to Donate $7.2 Million to Music Education The concert, scheduled for Oct. 15 at the Hollywood Bowl, is billed as a celebration of the 10-year anniversary of the William J. Clinton Foundation, which has raised some $10 billion for the former president's favorite causes, such as HIV/AIDS treatment and reducing hunger. It's also a late birthday party for Clinton, who turned 65 on Aug. 19. STORY: Usher: Changing the Face of Charity One Child at a Time Details of the concert were still being hammered out early Tuesday, but a long list of movie and TV personalities are likely to appear, and a spokeswoman said tickets will be available to the public, unlike an invitation-only Rolling Stones concert that was organized to celebrate Clinton's 60thbirthday. Instead of a traditional TV partner, the organizers have granted exclusive broadcast rights to Yahoo, which expects to stream it worldwide to an audience of several million, and sponsors were still being lined up Tuesday. EXCLUSIVE: President Obama Sets Two Hollywood Fundraisers The show, a charitable event that is being produced by Control Room, is dubbed A Decade of Difference: A Concert Celebrating 10 Years of the William J. Clinton Foundation. Related Topics Lady Gaga Usher Bill Clinton U2 The Edge

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Criminal Minds' Thomas Gibson: Things Are Not Back to Normal

Thomas Gibson Thomas Gibson can only think of one way to sum up Season 6 of Criminal Minds."The sh-- hit the fan basically. And you can quote me on that!" he tells TVGuide.com. "But the great thing is now we feel more reenergized than ever. There's a whole fresh energy on set and we're all really excited for this year."9 things to expect in Criminal Minds Season 7: Prentiss' return, Hotch's beard and moreAnd why not? After drawing fans' ire for dumping A.J. Cook and Paget Brewster last year - in addition to hiring Rachel Nichols - CBS rehired the two actresses in the spring and dropped Nichols, bringing the BAU's core seven back together. "As we should be," according to Gibson. While JJ (Cook) was briefly reintroduced in the season finale, Prentiss (Brewster) will come back from the "dead" in Season 7 after Hotch (Gibson) and JJ faked her death to evade her IRA nemesis Ian Doyle (Timothy V. Murphy), whom Morgan (Shemar Moore) has now "made it his life journey" to pursue. "There is really only one way that she can come back as herself," Gibson says. "That's what has to happen in order for her to come back."But Prentiss' resurrection doesn't call for total celebration. For a group that prides itself on being a family, there is a sense of betrayal felt by everyone else who was left in the darkabout the covert op - which Hotch still feels was the right call. It will still take a while for the team to feel like one again."The cases are there, and they're professionals, but things are not back to normal," Gibson says. "We're not shortchanging the reintegration process of having her back and having A.J. back. ... If somebody in the family hasn't been forthcoming about something, it takes time to adjust to that and it changes things. Each of them has unique relationships with each other. We're trying to explore all those dynamics."Exclusive: Criminal Minds boss on Paget Brewster's return: "It feels rewarding"But more importantly, the cover-up has a ripple effect that climbs all the way up the bureaucratic food chain and leads to a Senate committee hearing that puts everyone's jobs on the line. "There's definitely some official Washington sh-- that goes down," Gibson says. "It's interesting because we have to make this point that this team exists in the real world. It exists under the supervision of the Justice Department. When things like this happen, it's serious. Erica [Messer, the showrunner] didn't hold back on all the consequences they face. We have some stuff to answer to."The team's future together was murky already in last season's finale, when Hotch was warned of budget cuts. That will explain Nichols' departure and leave room for a possible return. "She got reassigned," Gibson says. "Hopefully she can come back. There's a really great story for the Ashley Seaver character, especially with her background, and we're hoping she'll be available to do it and it'll be the right timing for the show. ... It was all a mess last year, but Rachel's a pro. She's going to do fine - she is doing fine."Hotch himself is not with the team when Season 7 opens, but rather is in Pakistan - a result of him agreeing to take on some of Strauss' duties last season while she takes a leave of absence to deal with personal issues. "Things get to point where he needs to come back quickly. We're still exploring him doing her job. ... [The extra workload] might give him an ulcer, but I don't think he feels it. He has a very diligent work ethic," Gibson says, adding that Hotch knows what Strauss' issues are, but will keep it on the down-low out of respect.Criminal Minds' A.J. Cook: Get ready for a different JJMore work, of course, leaves little time for a love life. But nearly two years removed from Haley's death, Gibson thinks it's time for Hotch to start dating again and hopes to see it happen soon. "If you asked him, he would say, 'Sure, but when does it happen?' I would love it. It would be interesting to see it happen in spite of himself. And we'd have to find an organic way to introduce it since the show doesn't lend itself to that direction," he says. "We have an opportunity in Season 7 of a show where you want to delve into the characters. It's nice to go home with these characters a little more often, which I think we're aiming to do."Romance aside, Gibson mostly wants to see the buttoned-up Hotch less serious this year. He names his wisecrack at Reid's Backstreet Boys-like haircut last season as one of his favorite moments. "That was totally unscripted. Matthew [Gray Gubler] came in with that haircut and we decided someone had to comment on it and it would be most interesting from Hotch," he says. "It was pretty great! I definitely think we need more of those moments from him."You know, last year was difficult for everyone [on and off screen]," Gibson continues, "but things are looking up this season and I think he can smile a bit more! It's a really nice place to be right now."Criminal Minds premieres Wednesday, Sept. 21 at 9/8c on CBS.

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WWE Superstar Triple H on Being a Leading Man in 'Inside Out' & Beating Up Al Sharpton

In the wake of Dwayne "The Rock" Johnson becoming a box office world champion, the locker room of World Wrestling Entertainment is filled with wrestlers looking to make the break into television and film. WWE, in turn, joined them -- the sports entertainment company now has its own film studio. The latest film produced by WWE Studios is 'Inside Out,' a gritty crime thriller hitting select theaters on Friday which stars wrestling legend Hunter Hearst Helmsley (a/k/a Triple H, a/k/a "The Game," a/k/a "The King of Kings"). The real-life son-in-law of WWE owner Vince McMahon, Triple H is poised to take over his wrestling empire one day -- provided he's not too busy wrestling in No-Holds-Barred matches on pay-per-view (which he's doing on Sept. 18) or starring in action movies like 'Inside Out.' Moviefone spoke with Triple H about getting into fist-fights with Hollywood celebs, watching cartoons about princesses, and one day making a 'Cannonball Run' remake with the entire WWE caravan of stars. In my opinion, and I think a lot of people think this, Vince McMahon is wrestling, and you're going to be inheriting that position someday, so talking to you is like talking to Vince McMahon. Vince doesn't do many interviews, so you better just talk to me. Don't be biased by all of the things you read about me. I'm way worse. On one of the very first episodes of Smackdown you got in a fight with Arnold Schwarzenegger. Yeah. He whooped my ass. How hard does he really hit? Be honest. Arnold was supposed to hit me one time and I was gonna go down. And then Arnold decided to jump on top of me and hit me about twenty more times, but it's Arnold Schwarzenegger, what am I supposed to do, throw him off and start pounding him? Arnold just got carried away in a live moment and next thing I knew, Arnold was on me like a pack of weiner dogs beating me senseless. Hugh Jackman is guest-hosting an upcoming episode of Raw, and he joins a long list of celebrity guest hosts -- but was there ever a host that had a pedigree coming to them? I'd like to give one to Bob Barker, just 'cause it's Bob Barker. But you know who I would have liked to pedigree is Al Sharpton. Al Sharpton was the guest host and he showed up ten minutes before he did his thing, he did it, and he left five minutes later. He couldn't have cared less, he phoned it in. It was the worst appearance ever. Most of the guys come on the show and they know what we are and they want to have fun. Dennis Miller came on and he was hilarious on-camera, hilarious off-camera. Dennis came up to me and he goes, "My life is complete. I just got comedy advice from Vince McMahon." Vince would literally be like "Dennis, come here. You need to say your jokes slower 'cause..." Vince will give anybody direction. WWE studios is still considered a new venture, what do you think needs to happen for you to have your "WrestleMania moment" in Hollywood? It's a work in progress. When you start a studio, I don't care who you are, it's not like you're getting the cream of the crop pick of scripts. If you're an actor and somebody comes up to you with a project you're gonna say, "who's it for, who's in it, and what else have they done?" I think we've made a few movies that have been decent enough for us to be able to start to get to a different level. Are we putting out A-list stuff? Absolutely not, but we're trying to figure out what works for us, what works for our fan base and what the general public will buy our guys in and not buy our guys in. We get the microscope because it automatically comes with a WWE tag. But realistically, for the amount of films we've put out, we're doing pretty decent, and it's only going to get better. At the end of the day, there's two separate things, there's WWE, the wrestling, and WWE, the business that makes that wrestling successful. Watch the trailer for 'Inside Out' I recently got to hear your 'Inside Out' co-star Bruce Dern speak at a career retrospective. That man is one of the greatest storytellers I've ever heard. The first day I met him, we started to chat a little bit and Bruce starts telling me a story, and they immediately call me to set but he's talking; he clearly hears them and he goes from one story directly to another one, no break, and now they'd been waiting for about twenty minutes, and they're freaking out, and he's still talking. And Bruce was just messing with them. He was continuing to tell stories just to mess with Artie [Mandleberg, the director]. Bruce told me one thing on one of the last days he shot. It was extremely difficult for them to get him to the set and he just created such a big stink. We got done shooting and he pulled me aside and he was like, "I taught these guys an important lesson today. It's always good to push them to see just how far you can get 'em." Then I realized, oh my god, he's been messing with them the whole time. He was just entertaining himself. What does WWE Studios have planned next? We just finished a movie called 'No One Lives,' that's a straight up horror, R-rated. It's funny, if we say we've got a few kid's movies, now it's: "all WWE does is kids movies." I don't think anyone expected us to make 'That's What I Am' either. A movie about prejudices and bullying and the story of a teacher and a kid that gets bullied. It's completely different for us. But Vince read it and felt passionate about the story and said "this is a really great story. Is it gonna make us a ton of money? Nope." We're trying to think bigger picture and longer term. Is there a type of movie you would love to see your studio make? I personally would love to make a straight comedy. When we did 'Blade: Trinity,' even though it's a different kind of film, shooting the funny stuff where we could ad lib with Ryan [Reynolds], was the most fun of all. Now what would it take to get a 'Cannonball Run' remake starring the entire WWE locker room? That's not a bad idea, do I got to cut you in on that? I'm just echoing the demand; fans want to see that. They remake so many things, and I think, "Why would you even remake that? It was crap the first time they put it out." But then you say something like 'Cannonball Run,' where that would be phenomenal if they made that now. That's something they should redo. What movies do you watch on the road to take your mind off the match? Honestly, I don't. I used to, but we're so busy now with television and the behind-the-scenes that when we're on the road, I'm not kidding, you start working on that show when you wake up first thing in the morning. When the plane lands, you get off and try to get a few hours of sleep 'cause you're gonna be up at the crack of dawn and go home the next day. I have three girls, a five, a three, and a one year old. If it's not a cartoon that involves princesses I don't watch it. We're gonna play a round of word association. Let's say WWE Studios was around in the 80s and 90s and you were a producer, what kind of movie do you think these superstars would've been perfect for: Hulk Hogan? Oh god, anything cheesy. Jake "The Snake" Roberts? Western villain. D-Generation-X? Comedy. Vince McMahon? 'Wall Street.' Bill Goldberg? Any movie that took itself too seriously. The Ultimate Warrior? Either crazy out-there futuristic space movie -- or absolute stoner film.

In Darkness

Credits: A Sony Pictures Classics (in U.S.) release of a Schmidtz Katze Filmkollektiv/Zebra Film Studio/the Film Works production with the support of Polish Film Institute, MDM Mitteldeutsche Medienfordefung, Medienboard Berlin Brandenburg, DFFF Deutscher Filmforderfonds, FFA Filmforderungsanstalt, HessenInvestFilm, Astral's Harold Greenberg Fund, Rogers Telefund, Mongrel Media. (International sales, Beta Cinema, Munich.) Produced by Steffen Reuter, Patrick Knippel, Marc-Daniel Dichant, Leander Carell, Juliusz Machulski, Paul Stephens, Eric Jordan. Executive producers, Wojciech Danowski, David F. Shamoon, Carl Woebken, Christoph Fisser, Anna Maria Zundel. Directed by Agnieszka Holland. Screenplay, David F. Shamoon, based on the book "In the Sewers of Lvov" by Robert Marshall.With: Robert Wieckiewicz, Benno Furmann, Agnieszka Grochowska, Maria Schrader, Herbert Knaup, Kinga Preis, Krzysztof Skonieczny, Julia Kijowska, Marcin Bosak, Jerzy Walczak, Michal Zurawski.Considering the harrowing true-story origins of her latest WWII extreme survival story, Polish director Agnieszka Holland no doubt intended for "In Darkness" to be arduous. At nearly 2 1/2 hours, the taxing drama spends most of its time in the dank, rat-infested sewers beneath Nazi-occupied Lvov, where a group of Jews rely on a local thief to feed and protect them. No one expects Holocaust movies to be an easy sit, yet Poland's Oscar pick -- the most logistically demanding feature from the helmer whose "Europa Europa" proved so gripping 22 years earlier -- lacks the essential qualities to engage non-Euro crowds beyond arthouses. In light of its creepy subterranean setting, "In Darkness" shares more in common with contempo horror films than it does with Holocaust movies that have come before, and yet, far from accidental, that difference seems a carefully calculated aspect of Holland's approach. The film presents itself almost as an answer to Steven Spielberg's "Schindler's List": Both concern a wartime profiteer who risked his life to save a group of Jewish prisoners, but this one is far from black-and-white in its villainy and heroism -- an artistic choice sure to result in mixed reactions. When we meet Polish sewer inspector-turned-scavenger Poldek Socha (Robert Wieckiewicz), he resents the Germans because their occupation has turned Lvov into a war zone, and he hates the Jews because centuries of anti-Semitism have taught him that's the appropriate attitude. The Nazis' persecution of the local Jewish population spells opportunity for Socha and his accomplice Szczepek (Krzysztof Skonieczny), who break into abandoned buildings, looting whatever valuables they can find. "In Darkness" is hardly the first film to depict the inhuman conditions of the ghettos where Jewish citizens were stripped of their possessions and forced to live like animals. The surprising thing about Holland's strategy, however, is that the director resists portraying her Jewish protagonists as purely sympathetic victims. Instead, the core group consists of con men, cheats and tight-fisted business owners who constantly fight and argue among themselves. One man, Yanek (Marcin Bosak), abandons his wife and daughter in order to bring his mistress (Julia Kijowska) along in the sewers, only to abandon her, too, after she gets pregnant. Historically speaking, this harsh approach is the most honest, consistent with the warts-and-all characterizations in Robert Marshall's nonfiction book "In the Sewers of Lvov" and carried through David F. Shamoon's script. At the same time, in dramatic terms, it severely jeopardizes audience identification, making for long unpleasant stretches in which we resist the characters and wish they weren't so petty when bigger concerns -- like survival -- are on the line. Among the Gentiles, Socha certainly isn't your typical hero. Given his attitude in the early scenes, one half-expects him to betray his charges and collect the reward money offered for turning in runaway Jews. It's not until the film's final reel that we realize the story, which has been so focused on the fate of its Jewish characters for the first two hours, is actually about the transformation of one man's soul. For the film to work, Holland needs audiences to connect as deeply with the trapped Jews as Socha eventually does. With the exception of the group's leader, movie-star handsome Mundek Margulies (German-born, internationally recognized Benno Furmann), the characters are flat as shadows. Holland goes out of her way to include a number of sexual encounters in the film, as if to say that even in the direst circumstances, man finds time to make love. Far from gratuitous, the scenes reveal important connections between characters; still, it's odd for the helmer to spotlight these details and leave out nearly anything that describes the dull routine of life underground. As if loathe to confront the boredom that must have defined their lives, Holland instead depicts the exceptional moments, such as the tense finale in which a sudden rainstorm turns the sewers into a death trap. True to its title, "In Darkness" devotes long stretches to low-lit scenes, some of them so obscure that moviegoers complained they couldn't make out the image at all. Fortunately, a rich sound mix situates auds in the sewers, which look so authentic, it's a surprise to learn that production designer Erwin Prib re-created most of the labyrinthine system on stages.Camera (color, HD-to-35mm), Jolanta Dylewska; editor, Michal Czarnecki; music, Antoni Komasa-Lazarkiewicz; production designer, Erwin Prib; art directors, Katarzyna Sobanska, Marcel Slawinski; costume designers, Katarzyna Lewinska, Jagna Janicka; sound (Dolby Digital), Robert Fletcher; sound design supervisor, Daniel Pellerin; visual effects, TVT.Film+ VFX; second unit director, Kasia Adamik; second unit camera, Piotr Niemyjski, Adam Bajerski; casting, Weronika Migon, Heta Mantscheff, John Buchan, Jason Knight. Reviewed at Telluride Film Festival, Sept. 4, 2011. (Also in Toronto Film Festival -- Special Presentation.) Running time: 143 MIN. Contact Peter Debruge at peter.debruge@variety.com